You can finally surf the Gibson in search of your very own garbage file to brag to Acid Burn, Phantom Freak, Cereal Killer, Lord Nikon and Crash Override. Just keep your eyes peeled for The Plague!

If that's all gibberish to you, you have now have weekend plans.

If my own archives are to be trusted, I've been listening to Bleary since 2018 - right before the release of their debut EP Gates. It's an excellent blend of influences - some shoegaze, some dream pop, loads of harmonies and that yearning indie melancholy. Listen to "Sour" and tell me that's not an apt description! Fast forward to 2026 and I am happy to announce that Bleary has joined the yk Records roster and will be releasing their debut full-length album in May. The record has all the same sonic elements from the Gates EP but they've evolved everything - better production, songwriting, et al. It's exactly what you want a band to do!

Can't wait for people to hear the whole thing as we roll it out over the new few months. The first single, "sugar splint," is now available everywhere. Do me a favor and give it a listen and, if you like it, save it and share it!

I still watch SNL most weeks, tho usually on Sunday morning and never on Saturday night. Like a lot of people, I find the whole culture there fascinating. Even if you don't find the show very funny, the work environment is captivating. The week before the show seems brutally difficult and the broadcast itself seems impossibly complicated!

This 360 Weekend Update gives you a little glimpse at the production as it is happening. It's all great to see but I'm mostly blown away by the cue cards. The idea that someone still writes down every line that is spoken on a piece of paper is ridiculous. I'm sure there's an argument against teleprompters but its just one of the many things that makes the show continuously impressive to me.

Another reason for slower than usual posting in January 2026 was my involvement with this Good Signal fundraiser featuring the return of Glossary and The Features - two bands that have not played live in a decade.

Back in the beginning of 2025 when the government defunded public radio, Matt Pelham of The Features reached out and mentioned he'd like to do something to give back. He was confident he could get The Features to agree to a show, we just needed to find the venue to do it in!

I joined forces with Caroline Bowman-Schneider to create Good Signal, an entity that we could use to promote shows that benefit good causes. We snagged the venue Eastside Bowl because it has 3 stages, allowing us to have bands in two rooms and DJs in another. We booked 14 additional bands, 11 DJs from community and public radio and got to it! The first show sold out immediately (less than 12 hours) and the second in just a few days.

We got some nice press coverage ahead of the show, including this stellar piece from Sean Maloney about why it all exists. After the show, PJ Kinzer wrote a wonderful summary coupled with a ton of great photos from Eric England.

The shows themselves - 2 nights, 3 stages, 16 bands total, 11 DJs and hundreds of familiar faces - were unbelievably cathartic and enjoyable and positive. Especially in the aftermath of Winter Storm Fern, which many were still feeling. I can't put into words how joyous it felt to see two bands - Glossary and The Features - play for the first time in a decade and the audience remembered every word of every song, singing it right back at them. Glossary frontman Joey Kneiser said it well, "we're here to help you forget about the world for a little bit." We can't ignore the reality of the world around us but a little reprieve now and again goes a long way.

I am beyond grateful for literally everyone involved. The bands, the venue, the DJs, the sponsors, the attendees, the people who worked merch for us so we could watch the show, et al. It's insane how many people it takes to pull of an event but I think that is a large part of why it all felt so good. Together we go further.

Been a bit behind on posts because of Winter Storm Fern. The big wintery mix moved in on January 24th and in the early morning of January 25th, a tree cracked in half in my backyard and the power went out. Nashville Electric Service has had a controversial time getting everyone restored. I was without power for 9 days.. but fortunately I have an office to sleep in!

Anyway, in true blog format (web log), I am marking down this passage of time. From Jan 25th through Feb 3rd, my wife and I with our three cats slept in my little office. What a time we had but I'm real glad it's over.

Fabien Sanglard is living his best 1996 fantasy, building a Quake PC. I would love to say that I'm immune to the dopamine of nostalgia but that would be a lie. Seeing a lineup of SoundBlaster cards, a PC motherboard and a keyboard with its own speaker just hits right.

And if you enjoy building the PC, don't forget to enjoy booting it up.

Back in early January of 2025, I stated that I would be working on a new version of this site and doing so in the open - making changes along the way instead of doing all the work ahead of time. So, how's that going?

We're over a year later and I would not say that this is a fully launched new version. There's no subpages, there's no comments and the jury is still out on if I even like this layout or typography. Redesigning is hard, especially when you don't really have a plan.

All that said, I am still able to post here and I feel like I've added more tools for myself to make that easier. So, that's a big win. I'm using AI to help me improve some ancient code that I would have never been able to overhaul on my own (comments may actually happen again!). Subpages are nice but if you're actually still reading this, the content is what you care about - which still exists!

So, yea, thanks for riding along. I'll keep poking at it. Hopefully it won't be another year until I can call this "done" but, honestly, not a big deal if it is!

I've been hanging around on the music platform Nina Protocol for awhile. I add yk releases and try to get a feel for the platform. For such an early stage platform, there are some impressive adopters. The majority of music I have encountered on there has been some form of bedroom electronica - not a bad thing in the slightest!

That said, I recently ran across Hop's debut album - You Would Like That and I'm totally smitten! It's a smidge of electronic flavor but it's avant garde, it's pop, it's ambient, it's chaotic, it's immersive. It's a lot of things but all blended masterfully. Nina doesn't have an embed, so lets use the Bandcamp. I was enjoying from the start but once the third track started - an 8-minute long escapade called "Testicle Wing" - I was completely hooked. The gentle vibe of the song mixed with that psychedelic narration is just perfect.

Great record and I look forward to hearing more from hop! I may even pick up that cassette with beaded charm.

Look, I don't watch a lot of anime. I also don't make music. My need for Sound Effects is rare. Despite all those things, this AnimeVox sound board is an absolute delight. Head on over there and start trying out the randomized sounds. It's incredible what a difference a few sliders can make. Though all the variations, "beam" is consistently my favorite. How about you?

The game Peak is a "co-op climbing game" and it sold more than 10 million copies in 2025. Co-creator Nick Kaman was interviewed by Gamefile about the game and, specifically, the pricing of the game. It's a short piece and worth reading every bit of, as Kaman proposes that a game priced at $7.99 holds the same mental space as a $5 game.

“We had this joke of, like, how much is a game really?” Kaman told me, as we chatted last month.

“In a player’s mind, what does it mean to spend five bucks? Well, that’s five bucks. But six bucks? Well, that’s still five bucks.

“Four bucks is also kind of five bucks,” he continued. “Three bucks is two bucks. And two bucks is basically free.

“So we’ve got these tiers: You know, twelve bucks… that’s ten bucks. But thirteen bucks is fifteen bucks.

“And we found that eight bucks is still five bucks. It doesn’t become ten bucks. Seven ninety nine, that’s five bucks, right?

“So, eight bucks going to five bucks is the biggest differential we could find in pricing, so we found it very optimal.”

That Calvin and Hobbes meme about the mental exercise summarizes it quite well. $8 is $5.

I mentioned Switch Angel in a recent Friday videos but their work bears repeating. Even if you have zero interest in trance or dance music, you should watch this process of creating music in Strudel. What's Strudel? It is:

a new live coding platform to write dynamic music pieces in the browser!

Put another way, it's a text based interface where you write music instructions that change in real time. As you can see from Switch Angel, it also has just the right amount of visualizations to take it from boring command line interface to futuristic hacker style goodness.

Like any coding language, it looks confusing and foreign at first but as you learn the shorthand, it makes more sense. Switch Angel's narration (which must be practiced, it's too perfect) provides another layer of comprehension.

I am sure there are other Strudel artists out there but just Subscribe here and enjoy the recommendations that will now come your way. It's a treat every time.

HORSE is a new Browser that completely does away with tabs. Creator Pascal Pixel has, instead, created the concept of Trails, a very simple tree structure for your browsing that shows what links you followed. The whole thing is presented in an amusing and light manner but it's a legitimate offering, not a joke. The trails concept helps you to stay focused on what you're reading about and provides a clear history of where you got where you're at. The intro video explains it quite nicely.

This thing has been around for at least a year but it's new to me. So maybe it's new to you as well? If nothing else, please go to the Website and scroll to the very bottom - what a treat!

I'll admit that I like the idea of Record Club more than I actually enjoy using it. It's a solid offering of a site but it's very hard to introduce new habits. Maybe 2026 is my year?!

They recently released their 2025 Year in Review and I'm extremely impressed by the aesthetic of it all. Really love the illustration style, the countdown style and, especially, the YouTube embed with Giant Text Overlay. Very cool. I know almost none of the music but this is a great way to make some discoveries.

Reminder that you should be subscribed to Damon Krukowski's newsletter - Dada Drummer Almanach. His latest transmission, Revisiting the Pyramid of Inequality that is Streaming Music, is an excellent reminder on the state of streaming media. I'm going to regurgitate several of the facts here but please go subscribe. The free version is very worthwhile and the paid version is even better. A few facts from the article:

• 88% of all streaming tracks on Spotify do not quality for royalties - this means despite being played, Spotify does not pay those artists
• The RIAA calculates that streaming accounts for 84% of all recorded music revenue - but streaming is only paying 12% of its tracks!
• If you are lucky enough to qualify for payments, it's a third of a penny per play. In many cases less than that if you do not own your music.

Spotify gets the majority of ire in write-ups like this because they are the biggest offenders but please remember, all streaming platforms are interested in not paying artists. There may be an exception here and there but, by and large, capitalism is not trying to support the arts! To me, if you want to continue enjoying recorded music, you should buy stuff on Ampwall, Bandcamp and the like. His piece doesn't say that explicitly but given how dire that streaming situation is, it's a sensible conclusion.

Oh, there's also the Living Wage for Musician's Act that would help to level the playing field. My faith in politics to do the right thing is at an all time low at this point but I'm in full support of the Act and hope they can make some traction!

This essay from Anu Atluru entitled "Make Something Heavy" is an excellent read about the idea that meaningful work takes iteration and intention.

"The modern makers’ machine does not want you to create heavy things. It runs on the internet—powered by social media, fueled by mass appeal, and addicted to speed. It thrives on spikes, scrolls, and screenshots. It resists weight and avoids friction. It does not care for patience, deliberation, or anything but production."

It's a little bit of ant-AI thinking sprinkled on a much bigger idea that the work, the process, the act of making are crucial to the end result. It reminds me of the advice I think about the most often - "learn to love the process." It often sounds trite but it's a nice reminder that hitting a wall is part of finding the solution.

Anyway, great read! Get it into your brain.

I've been a regular user of Clean My Mac for many years. I can't tell you the number of times I've filled my hard drive and CleanMyMac has been able to find and purge many gigs of unnecessary data. It's great!

I recently became aware of Mole - a command line tool that cleans to do much the same thing. In fact, it says it's a "All-in-one toolkit: CleanMyMac, AppCleaner, DaisyDisk, and iStat Menus combined into a single binary" Ok!

Both are good options but Mole is free and feels powerfully nerdy running it from the CLI.

Gotta give props when props are due! Bandcamp recently announced they are banning AI on the platform. They are specific in their guidelines:

• Music and audio that is generated wholly or in substantial part by AI is not permitted on Bandcamp.

• Any use of AI tools to impersonate other artists or styles is strictly prohibited in accordance with our existing policies prohibiting impersonation and intellectual property infringement.

That policy leaves plenty of room to integrate AI tools into the creative process but not entirely.

Happy to see it but also curious how they are detecting AI generated content? Is it completely community driven and Bandcamp validated? Do they have their own internal magic for detection? Many questions!

While we're on this topic, it's worth checking out Ampwall's content policy in regards to AI. They have a similar policy (and have had it in place for some time) but with more nuance.

I am not an anti-AI person but I also understand the need to protect human creativity. I am happy to see these platforms taking a stance.

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Update: Experimental AI artist Holly Herndon has an excellent rebuttal to all this. It's worth reading and, moreso, worth having a nuanced conversation about. I don't disagree with her about the future but I think Bandcamp is making rules for the present; things will change over time.

The Creative Works crew is back at it! The next iteration of the 2026 West Coast Conference has been announced and the speakers look great! I mean, they got Rob Sheridan! Need I say more?!

Tickets are on sale now. While you're checking that out, give a listen to the State of the Union podcast - loads of great guests on there and they're barely 10 episodes in!

I've been a fan of Count Bass D since I was first introduced to his work back in 1998. His first album, Pre-Life Crisis, is delightful but I got really hooked with the release of Art for Sale; a unique blend of hip-hop, R&B, soul, jazz, DIY, beatmaking and delightful vibes start to finish. Honestly, "Beno" is a song that will be in my regular rotation until the end of time.

I've always admired Count's take on the music industry, his efforts to be self-sustaining and focus on his craft. He's been making music for over thirty years and has some great insights on existing as an independent artist. So, when I saw that he did a two part interview with Sounds Visual Radio,* I was very intrigued! I've just finished up Part 1 and am diving into Part 2 now. I'm happy to report it's as insightful as I'd hoped.

I suggest letting yourself take the deep dive into both Count Bass D and the Sounds Visual Radio archive.

* A podcast from Justin Meyer; veteran of Spongebath Records!

Despite my best efforts, news still comes my way via X from time to time. For instance, someone passed me this post about director Boots Riley reportedly developing a film adaptation of Mr. Burns, a Post-Electric Play. The accompany image is... striking to say the least!

The play was developed in 2012 by Anne Washburn with music by Michael Friedman. The plot follows a group of apocalypse survivors that retell the plot of "Cape Feare" to distract themselves. Over time, the plot evolves and morphs into something much bigger. By the third act, it's taken on a wildly different life.

You can watch the stage play on YouTube if you like. I've scrubbed through and certainly see the appeal; especially in that surreal third act. Boots Riley filmography feels aligned with this.. so I'd love to see it happen. Seems unlikely but I'd still love to see it!