yewknee
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An internet waystation.

it me - michael eades

👋 Hi, I'm Michael Eades; a long time Internet dweller, design dabbler, dangerously amateur developer, online social experimenter and frequent curator.

Currently working as VP of Product at Smarter Apps. I also keep the lights on at a boutique record label called yk records, a podcast network called We Own This Town and a t-shirt shop called Nashville Galaxy. Previously, I built things for Vimeo OTT, VHX, KNI and Spongebath Records.

This site is an archive of ephemera I find entertaining; tweets, videos, random links, galleries of images.

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find me elsewhere

 

contact

Reach out via threads or good ole email if you have anything to discuss. I do my best to reply in a timely manner.

for the record: "yewknee" is a nonsensical word with no literal meaning but a unsurprisingly nerdy etymology. It is pronounced, "yoo • knee."

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ongoing projects

yk Records →
started in 2009 as a conduit for music that friends had no plans on releasing. now it's a full fledged boutique label focused on releasing quality music from a variety of styles. you know, like a label does. Here's a sampler on Soundcloud and a different one on Spotify. Options.

We Own This Town →
Originally a Nashville area music blog, this site has grown into a full blown podcast network as of 2018. It's an attempt to bring together creative folks about a variety of interesting topics.

I host this show all about Nashville local music outside the expectations of the city. I'm biased but all the shows are good.

Nashville Galaxy →
An online t-shirt shop featuring beloved and defunct Nashville area businesses. Very niche audience on this one but I tend to think niche is good.

some noteworthy other things

Chris Gaines: The Podcast →
published along with co-host Ashley Spurgeon; a limited series podcast that takes an absurdly researched deep dive into the time that Garth Brooks took on a fictional personality named Chris Gaines.

Garth Brooks Chris Gaines Countdown →
to celebrate the 20-year anniversary of the time Garth Brooks took on the fictional personality Chris Gaines and appeared on Saturday Night Live in character, I GIF'ed the entire episode. It's a lot of GIFs; please use them.

Whiskerino →
a social network built around communal beard growing for four months. yes, it was as weird as it sounds but equally fascinating and enjoyable.

Moustache May →
an offshoot of the beard growing contest mentioned above. equal amounts of oddball fun but only a month long.

Summer Mix Series →
before all music was streaming everywhere, Internet music fans would swap zip files of music. it was truly a strange and wonderful time.

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Dent May - "Sea Salt & Caramel"

this delightful weirdo is at it again

mr. Gnome - The Day You Flew Away

an unexpected new style for this band but i'm digging it, alot
The #Bonkers tag on Giphy is prettty stellar. It's weird but it's the variety of weird that makes it so entertaining.

Hope you're doing okay. Enjoy some distractions. Stay safe out there. Wear a dang mask.
Lately, I've been binging on the podcast Best Movies Never Made. It's exactly as it sounds; a discussion on interesting movies that never made it into production. Beetlejuice Goes Hawaiian, Return of The Thing, Return to the Planet of the Apes and many more movies that I'd always heard of as rumors but never knew the full story on.

There's also several episodes peppered throughout their archive looking at films that went through a wild amount of drafts and iterations. For instance, a Super Mario Bros script where they encounter Bruce Willis. As if that movie wasn't bad enough!

They're also on Instagram and Twitter if you're just looking for some movie ephemera but not ready to dive into a podcast.
The second single from The Prudish Few was released today. "Kinder Climes" is up on Bandcamp, Spotify, Apple Music, YouTube Music, etc.

It's a song about the wake of the 2016 election and, personally, one of my favorites from the forthcoming album. Here's a little insight about the song from Todd K:
This song was inspired by the shock, revulsion, and fear we awoke to on November 9th, 2016. We called loved ones to check on them. We sat silently in parked cars, unable to muster the will to step out onto the street. We were giddily leered at in public places by people who did not share our obvious despair. I remember being actually afraid of old people and white adult males in the grocery store.

A month later I was picking up a Clinton/Kaine sign still stuck in the grass outside of work when several young men in a car drove by and screamed, "FUCK YOU!" I couldn't figure out whether they were mad that I was moving the sign, or mad at me for being associated with the sign.
I know Conservatives and the Alt-Right like to cast Liberals as overly emotional creatures but I completely feel this sentiment. The 2016 election results inflicted a sickening feeling and it injected a dose of paranoia about those around you - could that person possibly support such a vile person?

The opening lyrics to the song embody that idea quite well:
Friends and family
Are you ok, do you see what I see
Terror in the hearts of the free
Gestapo shops the same grocery as me
Some might say that the Gestapo / Nazi metaphor for Trump supporters is going too far but I'd venture to say it's not too far off the mark.

All that said, it's an upbeat and catchy song. So you get a nice shiny happy bit of music mixed with a rather dark sentiment; my favorite combo for pop music.

iPod Unboxing, 2002

the confusion is amazing
Woah, been a minute since the last Friday Videos! Sorry about that but, also, not sorry because my life is extremely busy these days and there's not a lot I can do about it. I hope you understand.

But I digress! The above GIF is from the wonderful new Modern Feminist Lyric Video, which you should watch but has no relation to the distractions which follow.

And here they are. Stay safe out there. Wear a dang mask.
In celebration of the Black Bra album release, the band has also unveiled a lyric video for the track "Modern Feminist." This was the first song I heard from Beth in demo form and it really stuck with me - the lyrics are political, personal, vulnerable and empowered. It's potent in a way that is hard to articulate.

The video was Directed and Animated by Dycee Wildman, based on collages from Beth Cameron and Aaron Hartley. If you think animated collages can't be emotionally moving, you're in for a surprise. Wildman did a phenomenal job capturing the emotion and sentiment of the song.