I recently made the switch from Pinboard to Raindrop for my bookmark manager. Apparently the Pinboard founder has been slipping towards fascism and I just couldn't spend my dollars on the service anymore.
Regardless, I've really been enjoying Raindrop as an alternative. It does everything I needed from Pinboard and plenty more.. and it actually looks nice while it does it!
The one caveat to that statement is that Pinboard would create an RSS feed of public pins where Raindrop treats everything as private. I prefer the private treatment but does complicate some of my very specific blogging workflows (i.e. Raindrop → Pipedream → Yewknee). But that's my problem, not Raindrop's! Definitely recommend.
Recently I stumbled across Naked Record Club, a vinyl subscription service that presses exclusive releases for its members. It's not unlike Vinyl Me, Please, Vinyl Moon, etc. but their twist on the offering is that they are highly eco-conscious about the records they create. Unsurprisingly, the vinyl manufacturing process is a bit outdated in that regard. This announcement video from one of the founders of NAKED Record Club covers a lot of the details of why vinyl is such a rough manufacturing process - namely the materials and the steam-powered process to flatten said materials. They are making the shift to injection molded records, which should be a huge improvement in regards to the environmental concerns.
I've been following this technology for awhile but it seems to be increasing in popularity now. Not only is NAKED Record Club embracing it but the latest Shellac record is also pressed in the same way. As I understand it, Green Vinyl Records in the Netherlands is leading the charge with this new process and Good Neighbor Music is the company actually booking the jobs to use said tech.
It's worth noting that injection molding for records has actually been around since the 1950s but this modern twist is using Polyethylene Terephthalate (PET), the same plastic used in recyclable water bottles. I'm not going to claim for one second that I know anything about the substance or how it is leveraged in the manufacturing process of records. It's even possible that the usage of the material is a lateral move from the current Polyvinyl Chloride (PVC) material.
There's more reading and learning to be done but it's an advancement that I'm excited to see continue to get attention. Vinyl manufacturing is expensive, takes forever and is bad for the planet. I am optimistic they can actually solve all three.
All the accolades in the world to Helena Zhang for making this beautiful monospaced pixel font Depature Mono. It really is incredibly well thought out, nice to look at and incredibly useful.
All those same accolades to Tobias Fried for building out the promo website for the typeface. No font promo site needs to go hard but this site goes well beyond expectations. Love it.
These two make lots of great things - make sure you take the deep dive after nabbing that typeface.
On the second friday of every August, in South Queensferry Scotland, The Burryman emerges from the Staghead Hotel and proceeds to walk a seven to ten mile route around the area; stopping for photos and plenty of whiskey drinks. The tradition supposedly goes back more than 300 years and is intended to rid the town of bad luck. Many propose that if the Burryman were to cease, bad luck would come to the town.
The Burryman's outfit is comprised of actual burrs stuck to a protective layer of clothing .The man inside (and his family) collect the burrs throughout the year, dry them out and stick them on for the procession. Two helpers flank the Burryman and a town crier announces his presence.
I recommend you watch this short doc from 2016 about the tradition and then review the light Wikipedia. It's a really fascinating tradition, somewhat because the purpose of it has been lost to time. It's also a wild looking outfit that looks great in a photo.
So much more to read up on here and a much more in-depth documentary about a variety of traditions here (that probably deserves its own post).
At the 2024 Defy Film Festival I had the pleasure of seeing a ridiculous short film called Butt Crew. It's an 8-minute tale from an anonymous narrator about a crew of friends that would meet in a drainage pipe behind Home Depot to talk about butts. If that sounds absurd, you're right. It's also completely hilarious and riveting from start to finish. It just premiered online and I really think you should watch it at your earliest convenience.
The director, Josh Whiteman, has also directed a bunch of music videos here in Nashville, as well as a few additional short films like Ignoramus and Horny Kid, the latter of which I think is Oscar worthy. Seriously.
I am not familiar with the animated works of Takena Nagao but after YouTube recommended their latest short film, Midnight Vampire, I am going to take the deep dive. The hand animated claymation is hysterically gory but it's not without a moral center; which is nice for a murderous vampire film.
As soon as it ended, I couldn't wait to watch it again. I'm also taking the deep dive into more from Takena. I suggest you do the same.
Trump has already openly said he won't accept election results unless it's "fair and legal" - which is to say he's sowing the seeds that he won't believe the election is either fair or legal if he loses. The man isn't exactly subtle.
He's a nightmare but his plans extend beyond just his inner circle. This podcast episode is one to know about now, well before the calamity starts in November. Gotta call them on their BS before they even have a chance to leverage their BS.
I am not one to recommend (or even watch) a YouTube video that is an hour and 22 minutes long but the Joey Engelman Public Access TV Iceberg is an undeniably enjoyable and insightful watch. Admittedly, the lower you go on the iceberg, the worse it gets but you can skip Tier 6! Everything up to that is a pretty joyful celebration of the absurd, the awkward and the delightfully weird. And there's over an hour of it!
The thumbnail is strangely inaccurate and, of course, click-baity. Ignore.
Reading this Verge piece on AI resistance in photo editing reminded me that I had not yet mentioned the Kino app here yet. The app is intended for shooting video with an emphasis on "cinematic" results. This occurs by giving you manual focus control, some incredibly nice photo grading and plenty of other nitty gritty tweaking if you're keen on it. There's also plenty of auto settings but I think the draw is that you can really make the video your own.
It also applies those settings as you shoot. So there's no going back and applying a different color grade later (within the app). It's a choice to restrict your decision making and I think it's a good one. It does cost $10 right out of the gate but I literally spend that much on coffee in just a few days - it's certainly worth it in this case.
Recently I was reading the liner notes for Nite Versions, the Soulwax album that reinvents and reimagines their earlier albums, Any Minute Now in particular. This little snippet really caught my eye:
"...conceptually our biggest influence was an album from 1982 called Love and Dancing by The League Unlimited Orchestra, which was essentially the hit album Dare by The Human League remixed by them and their producer in such a simple way that to this day still sounds more interesting than the original to us. "
I'd never heard of this Love and Dancing record and drove right in. Like most folks, I enjoy The Human League and their hit "Don't You Want Me"* but this record really does steer the record in a whole new direction.
Reading through the album Wikipedia it's remarkable to learn that producer Martin Rushent created the record largely on his own in about ten days; making thousands of manual cuts to splice everything together because this was 1982. Even if the music wasn't good, it would be a fascinating read on how he accomplished the reinvention. Fortunately, it is a worthwhile reinvention as well.
This may be very old news to some of you but it was new to me, so maybe it's new to some of you as well. Enjoy the deep dive.
The lo-fi VHS aesthetic is extremely well tred territory at this point but I can't help but appreciate the application of it in the Pizza Party Massacre trailer. It's maybe unfair to call it an "aesthetic" here since it was actually shot on the format but you catch my drift. Overall, it looks to be a quality, absurd, horror flick.
During the Defy Film Festival there was a rolling loop of pre-show entertainment. This isn't uncommon but the custom footage cut together came from a bizarre variety of sources. Once such segment that really caught me was two aliens flying around Earth discussing political and ecological issues that our planet is facing. Thanks to some kind Internet sleuths, it turns out the footage is from a 1974 animation called Freedom 2000. The abstract is exactly as I remembered:
Animation highlighting the environmental problems that arise from industrialization and rapid population growth. Two aliens fly above the Earth in a spaceship and discuss how humans need to balance technological advances with ecological health. Created by Hanna-Barbera.
What I did not realize is that the piece is 20 minutes long, was created by Hanna-Barbera and contains a multitude of different styles. If you've got some time, it's most definitely worth hitting play and soaking in. And, yes, it's on YouTube if you prefer.
absolutely ridiculous collection of works from every major artist you could think of. Not unheard of but always nuts to see a single person own art like this
I grew up on PC's but had not heard of Neko until somewhat recently. Back in the 1980s, Naoshi Watanabe created an MS-DOS graphical cat named Neko. I'm not clear on what it did back in the DOS days but it was quickly ported to the Macintosh in 1989 and would chase your mouse around the screen. That's it. It's just adorable and fun.
The full history is worth a read. It was eventually ported to Windows, officially licensed by IBM for OS/2 and the author even eventually declared the images as part of the public domain. Because of that, there's a million variants and offshoots of the program. The adorable lives on.
No streaming music service had any artist with that name. Google returned no valid results. I inquired with Mac what the story was and he said he named it that based on a best guess; as he'd heard the song from Pates Tapes, with no obvious credit.
This all sounds like a great candidate for a Lostwave deep dive but then it hit me.. this mix came out in 2012, before the ubiquity of song identifying services like Shazam or SoundHound. I played the track and got the hit for George Darko, "Highlife Time." A song from a 1983 album originally entitled Hi-Life Time.
Mystery solved but, more importantly, a nice little gateway to great record and a wonderful sampler about Oval Records. Triple win in my eyes.
I posted about the "Sound Files of Summer" episode of Never Post back at the end of June. If you have not listened to that episode yet, please do so now. The show recently did a Mailbag follow-up where listeners chime in about how streaming music vs curating a library of files has impacted them. This is some nerdy subject matter I can greatly appreciate.
They tackle the music library topic at the top of the show but hop to 7:45 to get directly into the discussion about "the materiality of sound files." Specifically, how listening to sound files differs from streaming, particularly in regards to encoded errors that create. The second response gets even further into this idea and I'm transcribing the quote exactly here so there's a means of preserving it:
"I accept that my copy of Akira is a little folded up in the corner after I sat on it without looking. Or that my vinyl copy of that one Sufjan Stevens record has a locked groove that I need to get up and lift the tone arm over whenever I get to that part. We expect our physical media objects to have quirks of ownership. There was a very short amount of time where our digital media had these same quirks.
Maybe that copy of Indiana Jones that's sitting on your computer just has the Hindi subtitles burned into it and you learned to live with it. Kind of grow to love it. It's yours (although depending on how you got it, it could also be someone else's). It's just not everyone else's. Digital files are funny like that.
The age of streaming has somewhat singularized the files of digital media and I find that to be a little sad."
I love that quote. It is, admittedly, a little bit of nostalgia for a nerdier time but it's also a nice sentiment that building a "Music Library" is a physical activity. Granted, the physicality of it is bits being written on a drive but there's still something there; errors and all.
