yewknee
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An internet waystation.

it me - michael eades

👋 Hi, I'm Michael Eades; a long time Internet dweller, design dabbler, dangerously amateur developer, online social experimenter and frequent curator.

Currently working as a Product Manager at Mosaic. I also keep the lights on at a boutique record label called yk records, a podcast network called We Own This Town and a t-shirt shop called Nashville Galaxy. Previously, I built things for Vimeo OTT, VHX, KNI and Spongebath Records.

This site is an archive of ephemera I find entertaining; tweets, videos, random links, galleries of images.

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find me elsewhere

 

contact

Reach out via twitter or good ole email if you have anything to discuss. I do my best to reply in a timely manner.

for the record: "yewknee" is a nonsensical word with no literal meaning but a unsurprisingly nerdy etymology. It is pronounced, "yoo • knee."

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ongoing projects

yk Records →
started in 2009 as a conduit for music that friends had no plans on releasing. now it's a full fledged boutique label focused on releasing quality music from a variety of styles. you know, like a label does. Here's a sampler on Soundcloud and a different one on Spotify. Options.

We Own This Town →
Originally a Nashville area music blog, this site has grown into a full blown podcast network as of 2018. It's an attempt to bring together creative folks about a variety of interesting topics.

I host this show all about Nashville local music outside the expectations of the city. I'm biased but all the shows are good.

Nashville Galaxy →
An online t-shirt shop featuring beloved and defunct Nashville area businesses. Very niche audience on this one but I tend to think niche is good.

some noteworthy other things

Chris Gaines: The Podcast →
published along with co-host Ashley Spurgeon; a limited series podcast that takes an absurdly researched deep dive into the time that Garth Brooks took on a fictional personality named Chris Gaines.

Garth Brooks Chris Gaines Countdown →
to celebrate the 20-year anniversary of the time Garth Brooks took on the fictional personality Chris Gaines and appeared on Saturday Night Live in character, I GIF'ed the entire episode. It's a lot of GIFs; please use them.

Whiskerino →
a social network built around communal beard growing for four months. yes, it was as weird as it sounds but equally fascinating and enjoyable.

Moustache May →
an offshoot of the beard growing contest mentioned above. equal amounts of oddball fun but only a month long.

Summer Mix Series →
before all music was streaming everywhere, Internet music fans would swap zip files of music. it was truly a strange and wonderful time.

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Occasionally I'll see a new release from a band that I like and find they've released their album on cassette - a format that has notoriously terrible fidelity and a short lifespan. Also, it's not exactly easy to find a ready tapedeck these days. Much the same could be said of vinyl - it's impractical, it can sound terrible depending on your system and it's not exactly readily available. But vinyl has somehow emerged as the "audiophile format" - an object to put on a pedestal and behold as a prize. Tapes don't feel that way (to me).

So, when David sent me a link to this lengthy article on Why 1980s Tape Tech Is Still Making Noise, I was quite intrigued. The piece goes through the whole history of the format and really focuses on how it remains the definitive format of DIY culture. They're cheap to make, they're affordable for new fans and they still feel like a physical prize that shows off your taste. Win win all around. Great read.

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