yewknee
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An internet waystation.

it me - michael eades

👋 Hi, I'm Michael Eades; a long time Internet dweller, design dabbler, dangerously amateur developer, online social experimenter and frequent curator.

Currently working as a Product Manager at Mosaic. I also keep the lights on at a boutique record label called yk records, a podcast network called We Own This Town and a t-shirt shop called Nashville Galaxy. Previously, I built things for Vimeo OTT, VHX, KNI and Spongebath Records.

This site is an archive of ephemera I find entertaining; tweets, videos, random links, galleries of images.

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find me elsewhere

 

contact

Reach out via twitter or good ole email if you have anything to discuss. I do my best to reply in a timely manner.

for the record: "yewknee" is a nonsensical word with no literal meaning but a unsurprisingly nerdy etymology. It is pronounced, "yoo • knee."

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ongoing projects

yk Records →
started in 2009 as a conduit for music that friends had no plans on releasing. now it's a full fledged boutique label focused on releasing quality music from a variety of styles. you know, like a label does. Here's a sampler on Soundcloud and a different one on Spotify. Options.

We Own This Town →
Originally a Nashville area music blog, this site has grown into a full blown podcast network as of 2018. It's an attempt to bring together creative folks about a variety of interesting topics.

I host this show all about Nashville local music outside the expectations of the city. I'm biased but all the shows are good.

Nashville Galaxy →
An online t-shirt shop featuring beloved and defunct Nashville area businesses. Very niche audience on this one but I tend to think niche is good.

some noteworthy other things

Chris Gaines: The Podcast →
published along with co-host Ashley Spurgeon; a limited series podcast that takes an absurdly researched deep dive into the time that Garth Brooks took on a fictional personality named Chris Gaines.

Garth Brooks Chris Gaines Countdown →
to celebrate the 20-year anniversary of the time Garth Brooks took on the fictional personality Chris Gaines and appeared on Saturday Night Live in character, I GIF'ed the entire episode. It's a lot of GIFs; please use them.

Whiskerino →
a social network built around communal beard growing for four months. yes, it was as weird as it sounds but equally fascinating and enjoyable.

Moustache May →
an offshoot of the beard growing contest mentioned above. equal amounts of oddball fun but only a month long.

Summer Mix Series →
before all music was streaming everywhere, Internet music fans would swap zip files of music. it was truly a strange and wonderful time.

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I've been a Birdcloud fan ever since stumbling across their song Indianer on Myspace many years ago. I've always thought of them a surprisingly accurate commentary (and a bit of satire) on Southern stereotypes but have never been able to fully articulate what it is about them that makes me consider them far more than a joke. Then I ran across this Noisey article and the articulation was done for me. There's not a single passage that sums it all up but these two bits come close:
Subverting the popular cliche that tries to reduce country songwriting to a single trope of self-pity, "Bandit" is the ingenious exception that proves the rule, a blubbering elegy with so much weirdly empathic depth and weight that it justifies the cliche's existence. The song doesn't mock the woman's probable alcoholism and casual negligence, nor does it rationalize her pet's wholly preventable death. What it does do, though, is give the loneliness of an anonymous woman a couple of absurd moments to strut and fret in your mind before disappearing once again into oblivion. Historically, this is what country music has always done best.

... "The last thing in the world either of us wants is to be seen as a comedy band, because, actually, I don't really think the music is all that fucking funny anyway," Green says. "Sure, life is fucked up and it's funny to laugh at that sometimes, but our songs are grounded in the real experiences of real people."
All and all, it's a great piece about a band that skirts the line of pathos and offensiveness. It's that underlying sadness mixed with their manic energy that makes the whole thing work so well. Dive In if you aren't familiar yet.

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